Editor: Audrey Petty
Publisher: McSweeney's/Voice of Witness
If I could breathe in that dust when these buildings coming down, why not let me breathe in the dust of something coming up?
The phrase elicits immediate responses in people.
Images of poor people. Probably not white people. Large, grey, high-rises standing in the worst parts of cities.
America's great social experiment of the late half of the 20th century. Starting in the 1930s New York City's First Houses, the US was trying to deal with the great populations of poor.
The intentions were good. Clean, affordable, subsidized housing. Get people off the streets, into homes, moving in the right direction.
Over time these developments would deteriorate. They would be left to fall apart. The people, forgotten.
Voice of Witness has teamed with McSweeney's to present a new series of oral histories of people affected by contemporary injustices. The organization has recently won the Smithsonian American Ingenuity Award for Social Progress.
Those buildings scare me. They are designed to scare. They are the worst in utilitarian mid-century construction. The low of brutalist architecture, they are meant to be large, imposing, and shut off from the outside world.
Or, to be more accurate, to shut those living there in from the rest of us.
In High-Rise Stories editor Audrey Petty has brought together 11 stories of people who lived in the Chicago Housing Authority's various complexes prior to the mass demolition and rebuilding projects that started in 2000. 17 of the 27 housing projects have been demolished. Only 6 of those projects have been directly replaced.
Started in 1937, CHA oversees more than 50,000 households. Over 21,000 apartments and over 37,000 Section 8 vouchers. Petty's book focuses on the lives of those displaced in the wake of CHA's Plan For Transformation.
Each of the stories is told in direct, diary style. Each tells the story of how these buildings filled with life, were loved, and then how it all began to crumble under the weight of too many residents, too little funding, and little civic support.
Many of the stories end with the people relocating to some of the new mixed income housing that CHA has built. Many are faced with suspicion and horrible 'one-strike' laws where even family members being in trouble with the law can lead to eviction.
This book fills a need in the study of what these housing projects were. Over time these histories will be important to help cities move into a more equitable direction with housing.
I do wish that Perry had spent a little time connecting the dots. Explaining the context of the projects in the larger US housing experiment. And then also discussing the current attempt to 'do away' with them. The oral histories are visceral, are direct, and are vastly more important than academics debating theory. But I wonder if it's trading bad for bad.
A little more academics would have been nice. A little more of the issues. The connective tissue between these stories.
The 2011 movie The Interrupters deals with the violence side of this issue. Focusing on the work of Cure Violence (formerly CeaseFire), the movie follows the work of people trying to break the cycle of violence in Chicago. Where High-Rise Stories tells individual stories of growing up in the CHA projects. The Interrupters does heavy lifting to show the work being done to change the neighborhoods for the better.
The premise of the Cure Violence work is that violence is comparable to an air born virus. It is catching. Moving. Alive. That there are anti-bodies. Immunizations. Like the over-crowded poor sections of old cities that were overrun with disease. Our modern versions are overrun with violence.
Each of these works tell half the story. One is the housing and separation problem. The other is of violence.
The final line of the book, spoken by Lloyd 'Pete' Haywood, sums up this sentiment:
It's the dust of something new. It's still unhealthy, but I breathed that in, so let me breathe this in.