Showing posts with label Nikola Tesla. Show all posts
Showing posts with label Nikola Tesla. Show all posts

07 November 2016

Poem-A-Day #252 : Vision vs. Sight

Vision vs. Sight

Tesla stands at the edge of the canyon - a glacial scar -
                              he imagines a hollow earth - he imagines taking the stones and setting them upright in a circle - he imagines mining his own salt - he imagines breeding pigeons - he imagines the lizards standing on their hind legs and talking to him -

You island you - Tesla finds a smooth stone and tosses it into the space between edges - a gulf of air that swallows endlessly and never exhales -

The stone skips across the surface - it does - seven times -

And it ripples the sunset just so - the colors merging into a matte brown - an orange cat sits at Tesla's feet - there is a breeze -

09 July 2016

Poem-A-Day #131 : Tea Bag

I got the first galley of my book last night. It is real in the world and in my hand. It will be available to pre-order on Amazon in the next week or so. You will go buy it. You will go buy it. You will go buy it.

Here is the cover:


I decided to keep it light today. And I'm not going to edit it because it's silly and oddly sexual and I like it as it is. A poem about a tea bag.

Tea Bag (9/8/99)

It smells of mint and cold
winters, this little pouch of
sleep
Wrapped up gauzed plant
bits, this thing that looks
up from the counter
I taste it
Lick it
Suck on it
Taste the knitted fabric and
herbal seasoned leaves
Heat liquid blue in a
black glazed mug
Tiny packet unleashed in water
Cool and warm fire, this pouch
drunk in contentment

12 May 2014

The OTHER Novel About Bellefonte

I have been working on a long-form poetry/essay collection about Tesla for a few years now.

It finally feels like there is momentum behind it.

Not to say it's done, just that it's moving.

I spent the day editing poems and thinking about order. It's weird how there is a natural forming linear narrative happening in the work. It clearly starts with Tesla's birth and moves to a meta-physical place on his work and death.

Along the way Mark Twain talks about patents. And JP Morgan spends money. And Edison kills an elephant in the park.


And there's bottled fire and bugs and light bulbs planted like irises.

Again. It feels like something.

The same cannot be said for the novel. It's stalled in stall town.

Stall-o-rama.

But the first third is done.
Ish.
Very much done-ish.

It's weird writing about my parent's hometown. Where I went to high school.

I recently read Jeff VanderMeer's Annihilation. I was fascinated by the perspective on the 'Sci Fi' novel. So I went and read City of Saints and Madmen. The second book didn't grab me as much, but buried within was a moment that caught me off guard.

A character, who may or may not be VanderMeer is being questioned in a mental institution. He is asked where he is from. He answers Belfont, Pennsylvania.

It jumped off the page. I went to the internet.

Bellefonte is a town of 6000 in central Pennsylvania. It's main claim to fame is that the town has a natural spring with no known source and Jonathan Frakes is from there. Coming across this town in a book, a successful book, is weird.

VanderMeer was born in Bellefonte. But his family spent a lot of time in Fiji. That he claims the town at all is amazing.

I immediately paid more attention to his work, to his persona. For selfish reasons.

Because I hope my book will someday be the 'other novel' that features Bellefonte, PA.

Bellefonte, PA

21 November 2013

Child of the Storm

The re-examination of cultural figures happens with regularity. We go back, take a look, and decide if they are still worth our time. Periodically, this process allows people who were 'forgotten' or 'under appreciated' to be redeemed.

My most recent review for Publisher's Weekly was The Bully Pulpit by Doris Kearns Goodwin. It's a book about Teddy Roosevelt and William Howard Taft. The focus is on examining their respective public personae. On how they were or were not capable of directing public discussion.

The book served as a somewhat redemptive look at Taft, who is often viewed as a 'failed' President.

Nikola Tesla has undergone a much more complete transformation in public minds. You could even go so far as to say he's kinda cool these days.

I've personally been fascinated by the life/mind/inventions/madness/etc. of Nikola Tesla for years. His battles against the might of Edison are amazing for their ugliness. On both sides. Tesla's mind was expansive. Was manic. Was destructive.

He was a bad businessman. He was capricious. He refused to profit from his designs.

There are many books about him. W. Bernard Carson's 2013 book, Tesla: Inventor of the Electric Age, is a good start. Though I feel the book is simplistic and a bit on the glowing side.

I hate a biography that paints someone as a saint. See most bio movies.

I bring this up because I've been working on a project about Tesla for a L O N G time. I've mentioned it in brief before.

I started it seven years ago while I was still in grad school. The poems in the project are a sweeping biography of Tesla fused with strange dream-like poems about energy and space. Then they finish with a cycle of poems about a trip to The Lightening Field in Quemado, NM.

Walter De Maria - The Lightening Field 1977
It is infuriating to write about a person in this very close way.

It is enlightening.

It feels like opening a door. Allowing myself to write from some other perspective. To think in a slightly off way. A slightly not my own way.

Who knows if I will ever finish it.

At the moment the project is like Tesla's own work. Unfinished. A tower hanging out on Long Island Sound. Waiting for something.

To be declared cool enough so I can finish it.

But that's how a lot of my writing has felt lately. Not finished. Rusting. A bit broken maybe. It is a winter of putting things in the ground and seeing what happens.

Maybe light.