To My Sick Body
It is difficult to think with congestion in your face
you can f e e l the styrofoam thickness of the tubes within you
your heartbeat thrumping on the pillow
This is your blood in your veins and it is making sound
We are so resilient
our bodies take the endless radiation of days
manage to up and down stairs and cycle our habits like whoa
But when things fall apart they do so spectacularly
They crystallize every mistake ever made and cough
them into a mirror at 3 AM
our bodies turn on us so quickly that they cannot make the turn fully
And they will crash in their haste
Will erupt into fever and pitch and fall into a depth of exhaustion
that will leave them in a state of need that only we ourselves can deal with
Showing posts with label heart. Show all posts
Showing posts with label heart. Show all posts
19 January 2017
Poem-A-Day #324 : To My Sick Body
Labels:
2017,
blood,
body,
care,
cold,
congestion,
fall apart,
fever,
health,
heart,
ill,
illness,
infection,
January,
poem,
poem-a-day 2.0,
poetry,
sick,
sonnet,
winter
14 October 2016
Poem-A-Day #227 : Planchette
I love Ouija boards. I love the idea of things talking to us from beyond whatever this is, from whatever that is. I love the lie of it. The beauty of it. The need for it.
Planchette
Ghosts of trees
break open and
split along their Blaschko's
The rupture is a balloon pop -
the second it takes for sound to enter your ear
pick at your brain register there is infinite -
the threads of wood in your eye tell you more
Heart wood
is both poetic and descriptive
and tragic in your hand or sanded into a banister
to slide down
But shaped into a heart -
and holding a pencil -
the wood can speak its screaming truths
What these spectral beasts say
the creak of ships at sea
the vanished static of leaves
or the shrapnel of falling down
Whichever it is -
those voices are in your hand
warming there and feeling polished -
they are making the small plank left behind move
Planchette
Ghosts of trees
break open and
split along their Blaschko's
The rupture is a balloon pop -
the second it takes for sound to enter your ear
pick at your brain register there is infinite -
the threads of wood in your eye tell you more
Heart wood
is both poetic and descriptive
and tragic in your hand or sanded into a banister
to slide down
But shaped into a heart -
and holding a pencil -
the wood can speak its screaming truths
What these spectral beasts say
the creak of ships at sea
the vanished static of leaves
or the shrapnel of falling down
Whichever it is -
those voices are in your hand
warming there and feeling polished -
they are making the small plank left behind move
![]() |
| British Planchette c.1850-19860 |
Labels:
2016,
autumn,
communication,
ghosts,
heart,
october,
Ouija,
planchette,
plants,
poem,
poem-a-day 2.0,
poetry,
shirley jackson,
spirits,
talking,
The Hill House Poems,
trees
02 April 2016
Poem-A-Day #33 : Tattooing a Reservoir on my Chest
Tattooing a Reservoir on my Chest
- after Emily Kendal Frey
The water levels are the lowest they've ever been
A red kite in the sky signals fire over the horizon
Tons of concrete etches into the landscape
Here is a hanger - your coat - it's all shoulders
I hate tweed why do you own tweed the elbows are just so...
Place these straws in a U around my heart the blood needs to pool
- after Emily Kendal Frey
The water levels are the lowest they've ever been
A red kite in the sky signals fire over the horizon
Tons of concrete etches into the landscape
Here is a hanger - your coat - it's all shoulders
I hate tweed why do you own tweed the elbows are just so...
Place these straws in a U around my heart the blood needs to pool
09 January 2013
Inspiration : Black
Black 9/28/09
My heart is a breathing organ with an unblinking eye
It is meant to protect against the evil eye.
On my back I have a large tattoo of the sun with an eye in the center. You could view it in a similar light as the hamsa. I always thought of it as an eye in the back of my head. A look out.
When I was 21 I was deeply romantic. The thought that some ink lines buried in a few layers of skin could protect me form history. From the future...
My heart is a breathing organ with an unblinking eye
![]() |
| Art by JimmyBlaze |
The hamsa is a hand-shaped motif that originates in the middle east. The exact origins are unknown, but pre-date Islam and Christianity. In Islam it is known as the Hand of Fatima, after Muhammad's daughter.
It is meant to protect against the evil eye.
The idea that a look could bring harm.
It has become popular in Israel and appears on jewelry and keepsakes. It is considered a good luck charm. I have one next to my front door. I am not Jewish, Muslim, or superstitious. It was a gift from a good friend. It traveled from Israel with her in 2008.
It has become popular in Israel and appears on jewelry and keepsakes. It is considered a good luck charm. I have one next to my front door. I am not Jewish, Muslim, or superstitious. It was a gift from a good friend. It traveled from Israel with her in 2008.
![]() |
| My hamsa |
When I was 21 I was deeply romantic. The thought that some ink lines buried in a few layers of skin could protect me form history. From the future...
My heart is a hearing organ - a kneecap breaking on a tire iron
That is the sound a healthy heart makes.
The University of Washington has a handy guide with audio of various heart problems. The most common being a murmur. Murmurs result from an out of the ordinary blood flow. They create what sounds like an echo of the heart beat, or a woosh sound.
Most cannot be heard without the aide of a stethoscope. Laying your head onto someones chest as they sleep will not help you find abnormal heart sounds. It will allow you to feel their warmth and count the rhythms of their breaths.
a chamber burned - the outline of a body left behind
It is hard to imagine. Those white marks on the pavement. They could be tricks of the light. Could be strange light shadows. An artifact of a camera causing the color to be odd.
They are nuclear shadows.
Permanent marks on the ground showing where radiation from the nuclear bomb dropped on Hiroshima went and how.
This bridge is 900 meters from the epicenter of the explosion. Thermal radiation moves in completely straight lines. So when it meets an object it reflects off of it. You get a perfect shadow. A mirror of the world.
There are famous shadows. An outline of a body sitting on the steps of a bank. These pilings on the bridge. This valve. The everyday object becomes a strange sort of witness. A sentinel that calls up the past without rest.
Constant. Beating. Watching.
The University of Washington has a handy guide with audio of various heart problems. The most common being a murmur. Murmurs result from an out of the ordinary blood flow. They create what sounds like an echo of the heart beat, or a woosh sound.
Most cannot be heard without the aide of a stethoscope. Laying your head onto someones chest as they sleep will not help you find abnormal heart sounds. It will allow you to feel their warmth and count the rhythms of their breaths.
a chamber burned - the outline of a body left behind
It is hard to imagine. Those white marks on the pavement. They could be tricks of the light. Could be strange light shadows. An artifact of a camera causing the color to be odd.
They are nuclear shadows.
Permanent marks on the ground showing where radiation from the nuclear bomb dropped on Hiroshima went and how.
This bridge is 900 meters from the epicenter of the explosion. Thermal radiation moves in completely straight lines. So when it meets an object it reflects off of it. You get a perfect shadow. A mirror of the world.There are famous shadows. An outline of a body sitting on the steps of a bank. These pilings on the bridge. This valve. The everyday object becomes a strange sort of witness. A sentinel that calls up the past without rest.
Constant. Beating. Watching.
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